Fan Konferenz vom 27. Juli 1999
Ich bedanke mich bei Daniel Bailey.

Manson:  You are a slave. Do you think for a moment that you can ever really say
         or do what you want? You can't dream without fear of punishment, even if
         it is your own hypodermic guilt making you look to religion, drugs or 
         suicide as an escape.

         Modern expression in TV, movies and music is without any stimulants. It 
         is numb and safe, easy to sell, easy to digest and easy to forget. It's 
         not really even suitable for kindergartners or the mentally handicapped. 
         We are treated like soulless sub-animal house pets until we are old enough 
         to drive or buy cigarettes. When we become consumers they pretend to give 
         us an opinion. We are constantly shoveled milky mounds of unchallenging, 
         moronic impotence disguised as entertainment, but really only designed to 
         lower our standards and make us passive and content on being dumbed down. 
         Why do we watch the things they give us on MTV or Jenny Jones or the 11 
         0clock news? We have been conditioned to have low expectations and our 
         standards have become less than primitive. The illiterate apes that beat
         your ass in highschool for being a "fag" now sell you tuneless testosterone 
         anthems of misogyny and pretend to be outsiders to a world that they were 
         born to wear their Adidas and Tommy Hilfiger uniforms in. And we buy it up, 

         Even Christ wouldn't kill himself for this pitiful America that hides under
         "Christian values," and exonerates criminals when they remind the newsman 
         that they too, believe in god.

         The networks, record companies and movie studios are all afraid of what 
         we have the power to become. Unlike them we have nothing to lose, and 
         that's what makes us pure.

         It is time for their world to be destroyed. It is time for a new age, the 
         Age of Horus. It is time for a new standard, a new canvas, and a new artist. 
         We must forget this wasted generation and amputate it before the mind rots 
         away with it. Paint it, record it, write it down before they kill you with 
         their slow poisonous stupidity. Make yourself heard. 

         This Internet is your middle finger to the universe, don't let them break it. 

         Fuck their world.
         Let's make our own.

         The third and final Beast
         Marilyn Manson

Manson:  Thanks to everybody for tuning in today. So I'm going to be answering some 
         questions from some people calling in live so the first one if you want to 
         go ahead, tell me who you are and what's your question?
Manson:  Is anybody there?
Manson:  Hello?
AT&T:    Ted, talk.
Caller:  Hello?  Sorry, Who has been the biggest influence in your life and how
         have they changed you and made you a better person?
Manson:  Well it's easy to say that I think if I wanted to list artists, you know, 
         there would be people like Aleister Crowley, Anton Lavey, uh, Andy Warhol,
         uh, Alexander Yortaroski, um, David Bowie, Iggy Pop, um, but I think more 
         than the influence that they had on me, I think, uh, since I've been making 
         things myself, I think it's the people that hate me and try and suppress 
         what I do that have influenced me the most becuase it's given me a reason 
         to want to do it more and it's given me a reason to want my voice to be heard
         and want, uh, other people like me to have that opportunity also.

Manson:  So...what's the next question?
Manson:  Hello?  Who's there?
Caller:  Ok.
AT&T:    Jesse.
Caller:  Hey Marilyn.
Manson:  Hey.
Caller:  uh, I'd like to thank you, first of all, uh, on behalf of all the fans 
         at the Radio Revolution, we really appreciate that.
Manson:  Thanks for all your help.
Caller:  Yeah, and uh, my question is, Matt Penfield, on MTV, uh, reported that you 
         and Twiggy were working on a solo project?  Is this happening?
Manson:  I, I wasn't even sure that Matt Penfield was even around, but um...Uh, Not 
         really so much formally, I know that, uh, Twiggy is constantly writing music 
         and he likes to collaborate with a lot of his friends.  Um, I think there'll 
         probably be something inthe future, but there's nothing really slated right 
         now. We're all concentrating very hard on, uh, composing this new album and, 
         um, really making that our focus more than anything else.
Caller:  Great
Manson:  Thanks

Manson:  What's the next question please?
Caller:  Hello?
Manson:  Hello.
Caller:  Um, if you knew for certain when the world was going to end, what would your 
         final grand performance be? If the world was entering into oblivion?
Manson:  Well, I guess in some ways, uh, I have that attitude every time I step on 
         stage because you never know when the world's going to end, Sometimes I hope 
         it's the next day, sometimes I hope it's uh, today. Um, Othertimes, you know,  
         I'd like to stay around a little bit longer when I'm feeling more idealistic 
         and I'd like to try and make a difference if that is possible, but um, I think 
         I'd do exactly what I do everytime because that's, uh, you know, I always put 
         my heart into it. Thanks.
Caller:  Mmm-hmm.

Manson:  What's the next question?

Caller:  Hi Marilyn, this is Chris from Pennsylvania.  Each album has, in a sense, 
         dealt with an aspect of your life, uh, Portrait was in part family, Anti-Christ 
         was Religion, and Mechanical was today's worthless media, uh, what's your next 
         album going to focus on?
Manson:  One thing I should say first, there was, uh, a bit of misinformation when 
         people said that our new album would be called Holywood. Uh, That is the, the 
         title that I've, uh, decided the movie would be called. but the album, although 
         it's gonna be music that'll be in the film, is not called Holywood.

         But The new album, uh, in some ways, kind of completes the tryptic that I 
         started with, uh, Antichrist Superstar, um, the character of Omega on Mechanical 
         Animals was an ersatz rock star that is part of the story that is contained within 
         Holywood. A lot of people often mistook, um, this last year for being, uh, literal 
         when it's sometimes I was trying to present them with a satire of rock stardom.

         And uh, Antichrist Superstar, i think, is a lot closer to the basis of what the 
         movie will be talking about and the album kind of leaves, uh, I guess kind of 
         continues on some of the ideas that I started with Antichrist Superstar and 
         really finds a, a more defined clearer perception of ideas about Jesus Christ, 
         about Lucifer,  about Satan, about Jehovah, and all these, uh, things that we've 
         been lied to about all of our lives. 

         So it's, uh, I think for us as a band, it's goin to be probably, uh, the most 
         aggressive and also at the same time the most dynamic thing and for me lyrically, 
         uh, after recently, uh, spending some time in, uh, Czechoslavakia, strange enough, 
         uh, uh, I had some very interesting revelations about what I'd was gonna be 
         thinking and uh, some things in my mind were, were changed and I was opened up to 
         a lot of other ideas and I'm going to try to share some of those with the world, 
         uh, through this next record.
Caller:  Thank you
Manson:  Thanks

Manson:  What's the next question, please?
Caller:  Hello?
Manson:  Hello.
Caller:  Hey, Um, Marilyn?  
Manson:  Yes?
Caller:  Um, I have a question for you that I think you might have some fun with...
Manson:  Ok.
Caller:  Um, if you were given the chance to reform or change society in any way, shape 
         or form what do you feel you would do and accomplish?
Manson:  Well, I think we have finally been given that chance and I think it's a matter 
         of us, whether that be Marilyn Manson fans or whether you be fans of some other
         rock band.  

         Anybody who has the desire and who's smart enough to know that there needs 
         to be a change, uh, really has the chance now with, uh, what the internet has 
         the potential of becoming. I think it's an outlet where we cannot be censored 
         anymore it's an outlet where, um, the people who dispense these mediocre forms 
         of entertainment to us can be replaced, uh, by, everyone I think, uh, it would 
         be great that if every person who ever listened to one of our albums, uh, went 
         out and made their own music or made their own website, made their own movies, 
         did whatever they could, I think, it's all about, uh, not relying on the 
         technology, but using it to weed out who's going to be the real artist now, 
         who's gonna be the person who actually has something to say, so I think, uh, 
         I'm hoping that everyone joins together with me and, uh, tries to make their 
         own difference.
Caller:  Ok, Thank you.
Manson:  Thanks.  What's the next question?
Caller:  Hi Marilyn?
Manson:  Hi.
Caller:  Hi, uh, my name's Andrew, I'm calling from Toronto.  Can you give me any 
         details about the plot and/or the possible release date on the upcoming 
         Holywood film?
Manson:  Um, it's something that I'd like to film this year and it's something that 
         most likely won't be seen until probably late next year.  Um, Unfortunately 
         the movie industry moves at a slower pace than the music industry does.  

         Um, as far as the plot goes, I don't think I'd really like to tell anybody 
         anything other than what I've already said in my brief statement.  But I 
         think, um, it's it's something, that uh, for me was essential to write, it's 
         something that I've been writing for ten years, it's something that I've 
         hinted at on on every album so far so I think it's going to answer a lot of 
         questions people have had about things I suggest often uh, with symbolism, 
         um, and it's it's a tragedy, uh, a lot of early reports were saying something 
         about it being a love story or it being this or that, uh, but I don't think 
         anybody, should, uh, try and decide what it's going to be until they see it 
         for themselves.
Caller:  Thank you very much.
Manson:  Alright, Thank you

Caller:  Hello Marilyn.
Manson:  Hello.
Caller:  Hi this is Chris from Texas it's a pleasure to speak with you today.
Manson:  Good to speak with you.
Caller:  Alright, uh, My question is, how is your producing career going and are 
         there any projects with you behind the console in the works?
Manson:  Um, currently, uh, I haven't really worked with any other artists, um, you 
         know I produced the 'Highway To Hell' that we did for the 'Detroit Rock City'.
         I produced, uh, a song called 'Astonishing Panorama Of The End Times', 
         which, uh, supposedly will be featured, uh, in Celebrity Deathmatch if they 
         don't find it too offensive, uh, and I recently also produced a song called 
         'Fun Control', um, and plan on doing a new album, you know I'd like to work 
         with, um, a lot of people, but it's a matter of having the right time and 
         finding the right situation.

         I plan on, um, using this website in the next year, revamping it and making 
         it a place where anybody who's interested in things that are going against 
         the grain that are, uh, thought provoking in any way whether it be music or 
         movies that they would come here and even beyond Marilyn Manson music, other
         bands, uh, other movies, I want to make my website a place where people can
         forsake, uh, you know the confines of regular television, the confines of
         regular record companies and find stuff that artists really want to show
         their fans, not things they have to censor.

Caller:  Wow, that sounds really great, thank you very much.
Manson:  Thank you.

Manson:  What's the next caller?
Caller:  Hi, uh, Alexander from Norway
Manson:  Hi
Caller:  Hi, um, What you see when you are performing, you look in the eyes in the 
         audience?  Uh, do you see a reflection of how you were when you were young, 
         um, because I've been both to your concerts, your concerts, concerts here 
         in Norway and both times our eyes are met.

Manson:  Um, it's hard to say, I think, um, in a lot of way, I get from the audience,
         what, um, in a way, I guess it makes me feel like I did when I was, before
         I was a performer, and I would go see bands, um, it's unfortunate that I'll 
         never able to to be that again, that I could never go to a show and feel the 
         same way that I did when I was 16 or 20 even, um, but I think what I see in 
         peoples eyes is often, um, uh, sometimes hatred, sometimes fear, sometimes 
         confusion, sometimes excitement, sometimes, uh, passion, it's uh, I, I think 
         it's everything at once and it's never able to, it's not something I can ever
         define or describe, I think uh, it would be exciting for anybody to discover 
         it on their own by by doing the same as I did. I think, you know, you should 
         create something of your own and and see people's reaction I guess it's 
         probably, uh, the simple way of answering it it's the best thing that I've 
         ever seen, is what I see in peoples eyes.

Caller:  Mmm, Ok.
Manson:  Alright, Thanks.

Manson:  Who's the next caller?
Caller:  Hey Manson, this is Jenni from Minnesota.
Manson:  Hello Jenni.
Caller:  And um, you expand from self-knowledge and individuality, so how does being and 
         living in superficial Hollywood affect you?
Manson:  Well, I've always found the most inspiration in places that I don't belong. 
         I think it was living in Florida that inspired me to, uh, to make aggressive
         music because it was such a plastic disney land sort of place and I think 
         Hollywood is is very similar um, but I think there's places like this where
         the most work needs to be done.

         If I lived in a place where, I guess, if there were such a thing as a Utopia, 
         I don't think art could exist there. I think you need uh, resistance, you 
         need, uh, conflict to create, so...

         Just on a personal level, I think for me, I don't really leave the house, so 
         where I live is could be anywhere in the world I kind of keep to myself, and 
         sometimes I enjoy going to a movie, or something like that but, uh, I'm not
         one to really go out.

Caller:  Yeah, cool
Manson:  Alright, who's the next caller

Caller:  Hello
Manson:  Hello
Caller:  Hello, Hi
Manson:  Yeah, go ahead
Caller:  Oh, hi, My name's Mike from Temple Cove, Maryland.  Um, now that music has 
         really become so one dimensional, and all it really takes to become a star 
         is, really, is like a catchy sample or sex appeal, so in spite of that, what 
         are your hopes for the future of music?

         I think actually, uh, the state of music that we're in now, which I'm sure 
         that most people would agree is, is the most miserable of our generation, 
         is going to devour itself.  

         So if anything, The more garbage I see, the happier it makes me because I 
         know that it will force people to raise their standards.  Uh, that's 
         something I briefly touched upon in my opening statement today, um, I think 
         there's a lot of garbage there's a lot of opportunists and record companies 
         trying to churn out as much as they can, there's no more concern in the 
         entertainment world for career artists or people who actually, uh, care about 
         what they do.

         That's not to say that Brittney Spears doesn't care about what she does 
         but there's no real concern for people uh like there was in the 70s with all
         the great bands we grew up loving but I think there will be, I think we're in
         a era very similar to the end of the 70s when disco was king and lot of people
         found that to be very shallow and what came after that was a lot of great
         things.  so I hope, you know, I hope the new nine inch nails album makes
         a difference to people, I hope our record makes a difference to people, I 
         hope um, you know, to see stuff from all the really great artists, There's
         a lot of underground people that, uh, like James Hall or PJ Harvey or, uh,
         a lot of people that I really have respect for that I'd love to see thrive
         in the next few years.

Caller:  Alright, Thanks.
Manson:  Alright, Thanks.
Caller:  Keep doing what you do.
Manson:  Thank you.

Manson:  Hello?
Caller:  Hello?
Manson:  Hi.
Caller:  Hi, This is Katrina from Brooklyn.
Manson:  Hi.
Caller:  Hi, um, I wanted to know if you think your music has a positive or negative
         influence on society's youth and why?
Manson:  Well I hope it has both because you can't have one without the other and 
         I think the ignorance that we're taught when we're growing up that you have 
         to pick, uh, the light or the dark is what makes man suffer the most and
         what makes man fail to evolve to his full potential, um, within the shadow
         is where most of the things that we identify most with, uh, comes from and, uh,
         the people who have this false belief and, uh, some sort of universal good
         and bad, uh, are the ones that are holding us back just as humans, so I hope
         that, uh, that that people take what they need from what I do.

         I think in the end I try to put out something that's positive in my eyes, 
         I try to put out something that makes me feel good about myself and I try to 
         put out something that makes other people feel good and identify with it and 
         think that they're not alone and that's the most that I can really hope to do.

Caller:  Hello.
Manson:  Hello?
Caller:  Hi, this is Shawn from Mishiwakwa, Indiana
Manson:  Hi.
Caller:  If you were ever to do a duet with a female singer, who would it be and what 
         would the song be about?
Manson:  Uh, There's so many that I've liked over the years, um, I think the probably
         the most interesting thing that I've ever wanted to do uh, is has wanted to 
         sing a song with Diamanda Galas and I'm not really sure what the song would
         be about, but I'm sure it would probably deal with religion, because she too,
         uh, focuses greatly on that in her work.  I think that she, uh, If you haven't
         heard her, you should listen to some of her albums, she's very, very strong
         and very interesting.

Manson:  Hello
Bokey:   Hey Manson, this is Daniel.
Manson:  Hey Daniel
Bokey:   How do you want people to remember you after you are no 
         longer alive?
Manson:  Um, you know, I'd like to be remembered as, uh, the person
         who was successful in finally, uh, cracking open the gates, the 
         metaphorical gates to the apocalypse, the person who, uh, made 
         mankind become who he has always wanted to be but has never had the 
         courage to be.

         Um, I think a lot of great people before me have, have made efforts and have 
         gotten us closer to that point.  A lot of great artists, a lot of great writers,
         people like Aleister Crowley, um, and I'd like to just continue that, you know, 
         I'd like to be remembered as someone who wasn't afraid to say what they thought 
         and, and wasn't afraid to die for what they believed in.
Bokey:   That's pretty powerful, you take care man.
Manson:  Thank you.
Bokey:   Bye.

Caller:  Hello
Manson:  Hello
Caller:  Hi, Stevie from New York, um, I noticed that Mechanical Animals is, uh, very Bowie
         influenced, Bowie's a great musician, a huge influence on my music, can you tell me 
         what made you want to go to a more space age type Bowie sound for this record and if 
         you were scared the fans wouldn't accept it?
Manson:  I think it was a matter of because the character that I created was supposed to
         be a satire of rock stardom I think people uh from the glam era of music like 
         Bowie and Alice Cooper and KISS & Queen and things like that, uh, were the most 
         identifiable and that music, to me growing up, left such an imprint on me, it was 
         hard to avoid being inspired by it, um, I think, uh, I guess it's hard to say, it 
         was a moment in time, that record is what it is, and uh, uh, it was meant to evoke, 
         uh, an era that Bowie was really king of, the glam era, because that era was 
         probably my most favorite in rock 'n' roll, because it was it was a time when, 
         when people approached music the same way others approached books or movies 
         with a greater sense of imagination.
Caller:  Alright, thanks
Manson:  Thank you

Manson:  Hello.
Caller:  Hello Marilyn.
Manson:  Hi.
Caller:  This is Deanna from Oklahoma - uh, if you had one wish for yourself, Marilyn, 
         what would it be and why?
Manson:  Well, that's always the hardest question, um, and I think, uh, on AntiCS when 
         I, uh, ended it by saying 'when all of your wishes are granted, many of your 
         dreams will be destroyed", I think that that really is something I have 
         discovered over the years, you know, I wished to be a rock star, but what that 
         took from me,  my innocence, what that took from me was my, uh, I guess, 
         anonyminity, um, I don't think I'd, I'd ever wish to go back, I think, um, I'm 
         happy with everything I've gotten and I think If I have something I want or
         something I really believe in, I think it's a matter of will  power that you get 
         that, so I think that wishes can be fulfilled if you believe in yourself enough, 
         so it sounds sort of like something, uh, the Marines would say, but to me, I 
         think it's very true.
Caller:  Ok, Thank you
Manson:  Thank you

Manson:  Um, so that was the last question, I'm really glad that everyone came here. 
         Um, at first these conferences are a little more primitive than what they'll 
         evolve into.  

         I'd like to make this web site a place where um I can deliver you not only the 
         things that I want to show you without being censored but also the things of 
         other artists that we haven't heard before.

         Um, right now to clear up a few things, uh, there was a few rumors that the 
         video for coma white wasn't going to be played on MTV, um, that was actually
         a rumor that was started by Seems like Salvation web site, the situation with 
         that is that it's been filmed for quite some time, uh, we've always planned on
         releasing it uh later down the road with our home video that's gonna contain 
         everything we've filmed over the years uh for public consumption um starting 
         with, uh, way back to 'Get Your Gunn', there's a video that, um, including on 
         there for the song 'Cryptorchid' that was, uh, filmed by this uh really 
         spectacular director named Aleis Marehi, who, uh, directed a film called 
         'The Begotten' and no one's actually seen that yet so that'll be something, 
         uh, for, any of the die hard video fans that would really like to see that, 
         the video is also going to include, um, behind the scenes footage from the 
         Manson/Hole tour and, uh, I think it wil clarify all of uh Courtney's 
         allegations of why she left the tour, 'cause there's a really great speech 
         she gives me about her uh insecurity and lack of fans at the concerts that 
         although it disparages her somewhat, I find it very amusing and I believe 
         most people will, um, the video will be called 'God Is In The TV' and it's 
         gonna to be one video with a bonus cassette that contains, uh, all this 
         Mechanical Animals tour footage.

         We're also releasing sometime later this year 'The Last Tour On Earth', a 
         live album, which, uh, was recorded in America, uh, on the Manson/Hole tour 
         also. That also includes, uh, the acoustic version of 'Last Day On Earth'
         that we performed on New Years Eve last year.

         And, um, other than that a lot of people have been asking about my art, I 
         haven't put anything up on the web site in quite some time, and I've been 
         painting hundreds and hundreds of things since then, I'm going to try and 
         update a few things. I plan on having a show later this year where everyone 
         can actually see the things in person, um, and I'm currently also painting 
         a set of tarot cards, uh, uh, inspired by, um, some meetings that I had.

         I had the the opportunity to meet H.R. Geiger while in, uh, Zurich and, uh, 
         it was a great meeting and it was very inspirational.

         So that's really all we're working on now. Uh, I expect the next album to 
         be done really soon, we've done, uh, probably, 13 or 14 songs, and if everyone 
         keeps an eye here, I'm going to try and, uh, really, uh, stay updated, uh, 
         maybe give few glimpses into the recording studio down the road and make 
         this a place where you can come and watch things, uh, more exciting than 
         just these fan conferences, more creative things so and I, uh, welcome anybody's 
         creative ideas and I love when everyone sends me their poetry, their drawings, 
         uh, I try and go through all of it so, uh, if I don't answer you that doesn't 
         mean I didn't see it and, uh, the rest of the band wants to thank you also. 

         Um, a lot of people wonder why they don't do interviews, it's because 
         mostly they're lazy and they don't like to, it's not because I don't want 
         them to, um, and that's really it and I want to thank everybody for coming
         and I look forward to, uh, seeing you all again very soon.